Jean Paul Gaultier returned to the enactment prêt-à-porter for the archetypal clip since 2014 – and stake connected Durana Lantinka decorator whose irony and experimentalism are reminiscent of Gaultier himself.
Paris Fashion Week and a caller bet
The play brought a grounds fig of debuts: eleven caller originative directors. Entered the database connected October 5th Duran Lantinkwho presented the archetypal postulation for Jean Paul Gaultier.
See Paris and die. I was particularly impressed by the white wedding dress, which you don’t adjacent request to take disconnected for your wedding night. pic.twitter.com/oyzbf0zHP4
— Athens News (@russianathens) October 8, 2025
The assignment was perceived arsenic bold. Myself Gautier successful the 1980s received the nickname “l’enfant terrible” fashion; Lantink is trying to take connected the aforesaid relation successful 2025 – provocative but playful innovator.
Scene and symbols
Instead of glamorous locations, Lantink chose a low-lit concern dungeon adjacent to the Eiffel Tower – a motion that became a manifesto for the rejection of gloss for irony and an “underground” tone.
Archived codes and caller intonations
- Cone bra — the archetypal quality successful an orangish bodysuit became a notation to the epoch Madonnas.
- Vest — the strip is turned vertically, the classical is work successful a caller way.
- Visual illusion — one-piece “hairy” suits make an optical illusion effect and proceed the theme of Lantink’s ain AW25.
- Movie quotes – a notation to The Fifth Element with white and orangish belts successful the spirit of Lilu performed Mila Jovovich.
- Archive of the 90s — rethinking the legendary postulation Les Tatouages (1994).
Provocation and the body
Lantink has already caused contention by introducing a exemplary with silicone breasts. Where Gautier talked astir state and gender, the caller decorator often uses provocation for effect alternatively than for meaning.
The Junior Collection is simply a statement of heritage
The collection’s title reads similar a statement: “Jean Paul Gaultier Jr.”. The quotes are elegant, the irony is consistent, but the equilibrium betwixt respect for the archive and carnival play is so acold shifted towards the latter.
Bottom line
Strength: vigor and boldness, precise archival markers, visual freshness.
Weakness: excess of tricks and deliberate caricature.
Verdict: archetypal instrumentality of ready-to-wear Jean Paul Gaultier successful hands Durana Lantink gives the content of a agleam masquerade – but not ever existent fashion.
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