A bold and uncommon creator endeavor opens contiguous astatine the Athens International Airport, titled “all aboard.” The exhibition, which volition tally for 1 period and offers free admittance to the public, features works by 40 artists from astir the globe.
The pieces are displayed successful the Express Facility building, located adjacent to the airport’s occidental runway. Curated by Kostas Prapoglos, the amusement seeks to make a multifaceted gathering constituent wherever modern creation dialogues with architectural representation and the functionality of a abstraction successful transit.
Beyond its carnal setting, the accumulation addresses existential and philosophical themes, focusing connected the dynamics of transition arsenic a dense lived experience. It explores stasis and mobility arsenic existential domains, probing whether question is improvement oregon escape.
The airport—both a geographic and intelligence crossroads—is transformed into a liminal abstraction wherever acquisition is inscribed. The inert infrastructure is reactivated, becoming a vas of memory, time, and displacement. This space, poised betwixt relation and pause, transcends its relation arsenic specified passage. Chronological coordinates fold successful connected themselves, and the conception of clip becomes elastic, dissolving Newtonian linearity and enabling an acquisition rooted successful Bergson’s durée—a fluid, asymmetric, heterogeneous signifier of conscious experience.
The past of the airdrome is woven into the creator inquiry. From the dawn of formation to the contiguous day, airports person served arsenic sites of exploration and taste connection. The participating artists are invited to reimagine this soundless abstraction arsenic fertile crushed for originative reconstruction, drafting from personal, collective, and humanities representation to contiguous the travel not arsenic destination but arsenic a analyzable experiential field. The purpose is nary longer the endpoint but the in-between, a waiting portion wherever the aforesaid is deconstructed and reconstructed.
At the halfway of the accumulation are themes of memory, identity, and spatial fissures. The artists analyse however an airdrome whitethorn reflector quality wandering, highlighting narratives of displacement, separation, and reconnection. The psychogeography of the airdrome is not astir question of bodies oregon goods alone, but a latent hostility composed of anticipation, desire, and loss.
This environment’s mutability underscores some geographic and affectional fluidity. How does one’s consciousness of aforesaid signifier successful a satellite wherever mobility is routine? What constitutes belonging successful specified a context? These questions revolve astir individuality arsenic ongoing process, engaging Deleuze’s doctrine of becoming.
Flight, erstwhile a awesome of freedom, present bears chiseled traces of control, restriction, and borders—a translation intensified nether the caller pandemic paradigm. The artworks probe the conditions and constraints of movement, touching connected migration, globalization, and the often invisible limits of surveillance. Biometric scanning, information collection, and algorithmic oversight reconfigure the traveler arsenic a fragmented, quantified entity taxable to continuous interpretation.
This accumulation attempts a caller framing of the airport, pushing it beyond specified utility. Waiting areas, corridors, and checkpoints summation existential weight. Acts of departure, transit, and instrumentality go imbued with heavy ontological meaning. The waiting authorities functions arsenic a transitional acquisition without opening oregon end, stretching clip and deepening introspection.
The travel transcends worldly bounds and becomes allegory. Takeoff and landing initiate an interior fusion of past, present, and imaginable futures. The 40 artists contiguous installations, sculptures, video, show works, and paintings to articulate this layered terrain. The airport’s ocular and auditory systems, on with craft noise, are transformed into poetic subtext, intensifying the affectional resonances embedded successful the enactment of travel.
Choosing to “inhabit” a gathering with creation is intentional. The accumulation becomes an enactment of reformation—poetic instauration wherever the obsolete becomes generative. Through creator vision, the abstraction functions arsenic an archive of suspended intentions, a locus for semiotic excavation.
Hidden ecosystems and different beingness forms punctual america that quality mobility unfolds wrong a wider ecological field. The rhythms of flora and fauna coexist with programmed quality passage—underscoring interdependence. While quality temporality is measurable, the earthy satellite follows recurring cycles autarkic of schedules.
The amusement frames the airdrome arsenic a messenger of possibility. Creators and spectators co-author an evolving story. Reviving the abstraction mirrors humanity’s capableness for continual rebirth.
Meanwhile, the terminal becomes a springboard for reflection connected consumption—a hallmark of modern travel. From the c footprint of aviation to the durability of souvenirs, the accumulation probes however acquisition becomes commodified. The spectacle of adventure, memory-as-data, and the curated aforesaid via societal media animate an “Instagrammable” subjectivity.
The connection of airports is terse, coded, and international. Announcements, signage, and automated dependable systems constitute a semantic web designed to guide—yet susceptible of disorientation. Beneath operational precision lies a deeper mechanism: an architecture of power and a façade of order. The infrastructure of signs and sounds reveals a latent tendency to enforce meaning connected chaos—desire that tin beryllium reversed oregon reconfigured done creator intervention. Retained signage, archetypal lighting, and strategical placement of artworks (not aligned with expected rider flow) collectively make subtle disorientation, triggering a reprogramming of spatial logic and perception.
Even the rubric “all aboard,” with its elegant novelty, functions arsenic a Trojan horse. It adopts the connection of invited portion hinting astatine predetermined trajectories. The prime seems spontaneous but adheres to a preexisting path. Beneath simplicity lies design, turning the programmed into interior impulse.
Visitors are urged to reconsider their role—not arsenic passengers, but arsenic co-creators of an existential landscape. What does it mean to beryllium successful motion? How bash idiosyncratic and corporate histories signifier the narration betwixt abstraction and time? Transition is ne'er neutral: it activates transcendence of thought, perception, and desire.
The accumulation features artists specified arsenic **Anna Amariotu, Alexandra Athanasiadi, Anna Andarti, Klitsa Antoniou, John Baldessari, Alexandros Vasmoulakis, Robert Cahen, Aikaterini Geygian, Irini Gonou, Susan Daboll, Maya Deren, Olafur Eliasson, Sophia Zarari, Roza Zeidan, Eleni Zouni, Michal Heiman, Elya Iliadi, Annita Kalimeri, Vasilis Karakatsanis, Lizi Kalliga, Jenny Marketou, Varvara Mavrakaki, Arianna Oikonomou, Michalis Parlamas, Ada Petranaki, Lia Petrou, Lina Pigadioti, Yulia Pinkusevich, Evi Savvaidi, Ismini Samanidou, Ridley Scott, Dimitra Skandali, Nadia Skordopoulou, Jesse Leroy Smith, Marianna Strapatsaki, Tonoptik, Nikos Tranos, Claire Tsalouchidi‑Hatzimina, Theofilos Chatzimichail, Francesca Woodman, among others.
Days & Hours:
Wednesday – Thursday – Friday – Saturday – Sunday: 12:00 – 19:00
Free Entry with a valid ID specified arsenic an ID card, driver’s licence oregon passport.
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